Feet of Clay

When something comes into existence, its foundational elements foretell its outcome. A faulty foundation will mean instability while a sure foundation provides for an optimistic future. Relationships, business ventures, and other important decisions demand a fit beginning. Whatever it takes to begin a thing will be what it takes to carry it forward.

If focus, discipline, and commitment are required for something to begin successfully then that will mean these things will be required for it to continue. It is illogical to be surprised when a thing began wrong does not progress very far. If deceit or compromise is required to carry something forward then plans should be made for more of that to be required.

The tales of the Golem in Jewish antiquity is a tale of irony. The Golem comes into existence as a creation of clay by the hands of a superior being. The irony is that the creator would make this Golem for the purpose of consulting it, the creator seeks a seer. The tale of the Golem says the fashioning of clay combined with dance or a parchment with ‘truth’ written upon it would bring the image to life.

The creator would then appeal to the Golem for direction. But what can the creation teach the creator? What can the creation provide for the creator? The Golem rises to speak yet its own feet of clay testify against it. Its very existence displays the superiority of its creator yet ironically the creator chooses to defer to it for guidance.

This example of the Golem is one that represents the basest forms of thinking. This is a symbol of shallow thought and a desire for shortcuts. It is reasoning without deductive processes, it is satisfaction with analyzing but only at the simplest of levels. It is an approach to a solution found among deficit based resources. “I want to see the solution but I don’t want to have to strain to see it”. Foolish.

Avoid the insignificance of that which stands upon feet of clay, it will never have the capacity to bear the weight of that which holds true value.

Copyright © 2012 J.M. Cortés

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